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The Wrecking Project

Thursday, April 12, 2012 at 8:00 PM - Saturday, April 14, 2012 at 8:00 PM (PT)

Chicago, United States

The Wrecking Project

Ticket Information

Ticket Type Sales End Price Fee Quantity
General Admission Thursday Ended $12.00 $1.59
Students/Seniors Thursday Ended $10.00 $1.49
General Admission Friday Ended $12.00 $1.59
Students/Seniors Friday Ended $10.00 $1.49
General Admission Saturday Ended $12.00 $1.59
Students/Seniors Saturday Ended $10.00 $1.49
Wrecking Pass- A Pass for the Whole Weekend Ended $25.00 $2.24
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Event Details

The Wrecking Project

April 12-14

Thurs - Sat at 8pm

Curated by Links Hall Artistic Associates Julie Mayo and Kate Corby

The Wrecking Project is part of a Links Hall Artistic Associates festival celebrating works from other Midwest choreographers including The Purple State in November 2011, Generation Bitch: Gender Identity and Expectations of 21st Century American Women in January 2012, and Arte No Es Fácil (January-March 2012). 

The Wrecking Project brings together nine choreographers (three trios) to work with wrecking as a creative methodology and present original works next to their wrecked versions illuminating the fluid nature of authorship and the provisional nature of meaning-making. There will be one trio per evening over three nights of performance.

In the mid- 1990’s choreographer Susan Rethorst began working with ‘wrecking’ as a choreographic methodology. For Rethorst this method involved inviting another choreographer midway through her process to take it over. Inspired by Rethorst’s concept, but altering it slightly, Mayo and Corby have invited a group of rigorous dance-makers with distinctive sensibilities to wreck, or re-imagine, another choreographer’s finished work.

Visit LinksHall.org for more information!

When & Where


3435 N. Sheffield Avenue, Suite 207
Chicago, 60657

Thursday, April 12, 2012 at 8:00 PM - Saturday, April 14, 2012 at 8:00 PM (PT)


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Hosted By

Links Hall



MISSION STATEMENT
Links Hall encourages artistic innovation and public engagement by maintaining a facility and providing flexible programming for the research, development and presentation of new work in the performing arts.

 

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